Category: #ProducerLife

In the News: LinkedIn and WDET – Detroit

Hi again!

Sharing some interviews I've had over the last month or so.

1st up, I was on the LinkedIn News podcast, Hello Monday with Jessi Hempl.  My friend, Sarah Storm, who has been a consist support of my work for years now is a podcast producer there.  I was on another podcast she produced for the Dramatists Guild a few years ago, "TALKBACK".  The episode was on collaborating with a marketing Department 🙂 

This Hello Monday episode was special because it's not often I get to speak about my parenting journey outside of my own festival.  I got very emotional a couple times and we chatted for such a long time.  The episode has several parenting perspectives.  It is a really nice listen and I was honored to actually be asked to participate.

You can check out the weekly newsletter that Hello Monday posts on LinkedIn Here.  This one focuses on "Balancing Career Ambition and Parenting: Real Stories and Expert Advice" and includes the episode that I was on.

LISTEN to our HELLO MONDAY Episode: "Parenting: Getting Timing Right" HERE!

Next up... John and I did an interview for the 3rd Annual Obsidian Theatre Festival on WDET's Culture Shift!   We have both been on the show before, but this was the first time in conversation with the Culture Shift team, Ryan Patrick Hooper and Tia Graham, together.

My first time on the show was in 2019 with Courtney Burkett of Detroit Public Theatre for Harlem9's Inaugural "48Hours in...™Detroit" - You can listen to that episode HERE !

 
John has been on CultureShift several times, but if you're curious about the growth from the Inaugural Obsidian Theatre Festival, you can listen to his interview with Ryan HERE from 2020.

John Sloan III, Co-Executive Producer and Producing Artistic Director, Obsidian Theatre Festival; Garlia Cornelia Jones, Senior Creative Producer, Obsidian Theatre Festival (me 😉 )

Anyway, a few weeks ago, on May 23, 2023, I connected via zoom while John visited the local studio.  There is something so meaningful about conversation that has to do with doing work in Detroit.  One of the things I promised myself as a teenager was to comeback to Detroit to work.  I didn't know what that would look like, but I can tell you that the last several years have been spent doing ex

actly that - building an artistic community in Detroit alongside my artistic community in New York.   I am fortunate to support artists and artistic endeavors in both markets and this conversation was a bit of a full circle moment in that regard.

LISTEN to our Conversation with Tia Graham on WDET's Culture Shift HERE

... and if you're in Detroit... Make sure that you reserve your FREE tickets for our festival today!  It is not to be missed!

REGISTER HERE!

We've got 4 days of plays, a musical theatre showcase and a cabaret!

Hope to see you there, and thanks for reading!

Feeling Grateful: Did you know that I host a Podcast… at The Public… Are you Listening?

Hey there - Happy Monday...

I'm gonna get a little sentimental for a moment…
I was updating the description for the podcast with the New Media Associate, and when I added some of the guests we’ve had this year to the description, I got really emotional… and tired… lol

We have been so deeply in go mode, but being able to write this list when a year ago at this time, we didn’t have this podcast the way we have it now at The Public, and I was newly promoted and Line Producing the Gala…. Never in my wildest dreams did I imagine that this season would bring forth a description like this…

DIVE DEEPER WITH PUBLIC SQUARE 2.0
This season, The Public Theater’s Podcast came back!  Get a behind-the-scenes look and investigate process with our artists and staff.  This season’s guests included: Suzan-Lori Parks, Robert O’Hara, Delfeayo Marsalis, Oskar Eustis (Final Episode that drops on the 15th) and Tony Award nominees: Emilio Sosa, Nikki Crawford and Saheem Ali! … and more!

Listen, wherever you find your podcasts or at thepublic.nyc/Public Square

Public Square 2.0 is Hosted by Garlia Cornelia Jones, Director, Innovation and New Media
_____
The podcast is only one portion of Innovation and New Media - but I am really proud of this work and these episodes (Currently 16 - will be 17 after June 15th) and how we are sharing our mission beyond the theatres so many New Yorkers know and love.  It has been my goal to invite new audiences in by sharing what we are doing - even in conversation in a digital way.

If you are reading this post and you haven't yet done so, I hope that you will take a moment to connect with the podcast and this season's episodes.
Share them if you enjoy them and please leave us a review or a rating.

I am incredibly grateful to the team that puts this podcast together.  Here is a photo from our Pilot episode featuring Suzan-Lori Parks and the retiring Production Executive, Ruth Sternberg.  There's not many projects I do without John (and Amber, but she is not pictured here), these days.  When I knew I wanted to do a podcast, I called John - we were already working on Obsidian Theatre Festival, and the Black Motherhood and Parenting New Play Festival, and it was important to have a Bipoc and growing production team in Ghostlight Creative Productions.  We also co-wrote a song for the #24hourViralMusicals in 2021... but I could write a book on all that later.  Anyway, Artistic Partnerships like this are rare and I do not take them for granted.

Since I'm in a bit of a sentimental and mushy mood, I'll pause for now...

(Left to Right) Emily White, New Media Associate; Suzan-Lori Parks, Pulizter Prize Winning Playwright, Writer-In-Residence at The Public; Justin K. Sloan, Audio Producer (Ghostlight Creative Productions); Garlia Cornelia Jones, Host and EP; and John Sloan III, Producer and Video Editor (Ghostlight Creative Productions).

 

As we get ready to end this season on the 15th, I will spend some time re-capping each episode here, including the links, behind-the-scenes photos and the video episode.

For now, the best way to take it all in, is by clicking this link HERE: https://link.chtbl.com/C5hX287V

 

Supporting Obsidian and Black Theatre in Detroit (a childhood dream!)

Hey Everyone!

Life has been busy busy these days... but really... how is that new....?

I turned 40 two days ago... (Stay Tuned for that full newsletter).  It was a beautiful day, and if you follow me on social media or receive my newsletter - you will get the full update!

In this moment, I'm posting to share the GoFundMe Campaign that we just launched for the Obsidian Theatre Festival.  

When I was a kid, I always knew that I wanted to be part of a theatre community in Detroit.  I didn't know exactly that looked like... but over the last few years, I have been able to be part of some fantastic projects that do just that.

Since that first season in 2021, OTF has created a space for Black artists in the city of Detroit, and across the country. Based in Detroit, a cradle of Artistic creativity, Obsidian builds an innovative space – one that allows for audiences and artists alike to celebrate the diversity of Blackness.  

There is no “singular, monolithic Black experience”. Every story deserves to be told.  And the barriers we break down from learning about each other create new pathways – ones where compassion meets understanding, and “community” becomes more than a buzzword. 

Over the course of one weekend we present original plays, musicals, cabaret performances, and panel discussions.  All of this is done at no cost to the artists or audience.  

That’s right.  Once accepted, the new pieces are produced entirely by OTF.  We hire the directors and the actors, build the sets, and everything in between.  From Thursday through Sunday, there are 12 individual performances, multiple opportunities for audience participation.  And, as if that wasn’t enough, each and every piece we produce is filmed and streamed on our website.  So, just in case you can’t make it to Detroit, you can still participate and catch all of this amazing work.

And, we don’t charge the audiences anything either.  Our gift to the community.

But free to the community, isn’t cheap for us.  

Each year we hire over 100 artists (90%+ identify as BIPOC), and we need your help to make sure we can continue to support this community.  

We are so close to our goal, and this last $25k is vital to making sure we can produce our 3rd Annual season. 

In 2021, we were doing something new at a time when gathering for the theatre in person was nearly impossible.  Now, we need your help to make sure we can continue to overcome impossibility.  

Check out the video for a message from our Producing AD, John Sloan III.  Give what you can and then share this campaign with your friends, family, frenemies, …the guy at your corner store.  

Thank you for helping us bring Black Stories to this New Stage.  

 

SUPPORT US HERE

Black Organizations to Support during Black History Month… and every day of the year!

I've been keeping pretty busy lately.  My projects have a world all their own.  It's why I formed 55AP last Fall, but more on that another time...

Supporting me on Patreon as the hub of all of this work - I consistently create space for Black artists and my own writing, but creative time as a parent requires your children to be occupied or sleep to be at a minimum.  The balance between all of that is real.

There is truly something for everyone as it relates to Black creatives on this list:

From Blackboard Plays, the reading series I've been running for nearly 14 years at this point, to Harlem9, the OBIE Award winning producing collaborative that is responsible for "48Hours in...™Harlem" "48Hours in...™El Bronx", "48Hours in...™Holy Ground", "48Hours in...™Detroit", and "48Hours in...™Dallas"... to name a few...  PLUS the anthologies we publish that include the work we have been producing over the years.

#BMPFest exists to make space for Black Parent Playwrights to tell the stories of Black Families.  We are so nuanced and rarely are we able to live in those complexities - rarely are we invited to tell those stories.  Our Black Motherhood and Parenting New Play Festival, makes the space for that!

Obsidian Theatre Festival is a Black Theatre Festival in Detroit.  I am currently their Creative Producer and it was an important project to add to my already busy roster because it is in my hometown of Detroit and I will find any reason to create at home and support artists and aspiring artists in Detroit because I was once a high schooler who thought hard about a journey back to Detroit that didn't involve Detroit because I desired a more diverse set of opportunities and to be in New York for a while.

All of these projects have Black artists in common and today and everyday!

LEARN MORE and SUPPORT THESE ORGANIZATIONS HERE!

 

#BMPFest Submissions are Open: Black Playwrights with Families!

This is my first post in quite some time.  I'm trying to do better about posting to my blog.  It used to be a thing I did pretty often and then LIFE HAPPENED... more like... divorce, new job, pandemic and moving... lots of blog posts in there and my Patrons have been receiving the behind the scenes over views, so if you're interested in joining my community!  I'd love to have you.

But this post is about #BMPFest... 

... and where should I begin...?

Well, it's gonna take a couple posts to catch up maybe... but also maybe not... #BMPFest is the Black Motherhood and Parenting New Play Festival I co-created with Rachel Spencer Hewitt of PAAL (Parenting Artist Advocacy League).

You can read more about it in this Instagram Post!

The 1st Annual #BMPFest was between May and June of 2021.  We featured 4 new plays by Black Parent Playwrights.   Check out the one of our press releases here!  

Here's a Playlist of Trailers, interviews, intros and our panel from the 1st Annual #BMPFest!

This year, we are looking at the Fall of 2022, but before we get there, we need the plays, right...?

So... SUBMISSIONS opened January 1st and we want to make sure that you spread the word.  I'm including the notice below!  If you are a Black Playwright with a Family - that includes if you are a caregiver, then you are invited.  We are interested in telling the stories of Black mothers, fathers and non-binary Parents and Caregivers!

Blackboard Plays and Parent Artist Advocacy League (PAAL) partner to uplift the experiences of Black Parenthood. The Black Motherhood and Parenting New Play Festival was established to tell stories from and about Black artists with families.

MISSION STATEMENT

Since 2008, Blackboard Plays has been devoted to Black Playwrights throughout the African Diaspora.  Blackboard Reading Series was incubated at Nancy Manocherian's the cell in Chelsea's Manhattan as a resident series for 10 years before Blackboard made its home in The Mary Rodgers Room at The Dramatists Guild in 2018.  Feature Readings and Community Nights are two ways that Blackboard supports the development of new work by Black Playwrights.  Blackboard was founded by Garlia Cornelia Jones.

Parent Artist Advocacy League (PAAL) is a national advocacy organization serving as a resource hub, community, and solutions generator for caregivers in the performing arts and media and the institutions who support them. PAAL created the first all-gender, all-discipline national PAAL Childcare Grants for individuals and institutions. PAAL has participated internationally in think tanks, on panels, and facilitated workshops on parenting in the arts at multiple gatherings, including the national TCG conferences, BroadwayCon, Actors Equity Association, Professional Association of Canadian Theatres, and the first national conversation on caregiving in the Latinx community at the Latinx Theatre Commons Annual Convening, Miami in Motion, in 2019. PAAL commits to anti-racist roots in structure, practice, policy, principle, and production, through Vertical 50/50, centering support on BIPOC artists, and gathering resources for active anti-racism in caregiver support.

PURPOSE STATEMENT

PAAL and Blackboard established #BMPFest to showcase the creative output of Black parent playwrights. They issued an open call in October 2020 for writers who identify as Black parents or caregivers to submit up to 10 pages of work that they would develop into a one-act.

SEEKING

The Black Motherhood and Parenting New Play Festival (#BMPFest) is seeking new plays by Black Parent and caregiver playwrights for its upcoming theatre festival in the Fall of 2022.

#BMPFest is open to those that identify as Black parents and caregivers.

#BMPFest is seeking stories centering the Black parenting and caregiving experience.

This includes, but is not limited to stories from artists with family responsibilities.

PAAL and Blackboard are transgender and non-binary affirming spaces. All language referencing "mother," "parent," "dad," "caregiver," and their derivatives include and refer to any individual who identifies with them.

SUBMISSION DEADLINE

March 1st, 2022 at 11:59 PM EST

SUBMISSION DETAILS

Please submit up to 10 pages MAX of a play that you would develop into a One-Act (30 - 45 minutes.)

Ten (10) Semi-Finalists will have a feature digital (zoom) reading as part of Blackboard Plays’  ‘21-22 Season.

Four (4) Finalists will develop their One-Act centering on the Black parenting and caregiving experience to premiere digitally during the Fall of 2022.

  • If you are chosen as one of our ten (10) semi-finalists, we will request the full script for review.
  • Diverse Gender representation will be prioritized in the review and selection process.
  • Each produced play will have digital production elements and an assigned director.

Although we ask for a sample of 10-pages, this is not a 10-minute play festival. . Video Submissions will not be accepted.

LOCATION

The Final four (4) plays will be produced virtually.

Pending partner theatre preferences, we will consider a hybrid presentation.

Vaccination will be required for all participants of in-person productions

COMPENSATION

Each of the four (4) Finalists will be paid a stipend of $1,000. USD, as well as a $500. USD Caregiver Reimbursement Stipend per artist.

FAQ

Question: What if my play has already had a reading or what if it has been produced somewhere else.  Can I still submit it?

While we encourage new work we also support the developmental process.  If your piece is in development, has had a reading, or been produced at smaller theatres then send it along.

submit

Tickets for “48Hours in…™EL BRONX” are on sale: April 8 and 9, 2018

Tickets for “48Hours in…™EL BRONX” are on sale!

How am I involved in this?

I am one of the Founding Producers of the OBIE Award Winning , Harlem9.

What is “48Hours in…™EL BRONX” ?

A collaboration between Pregones Theater PRTT and Harlem9, Producers of the OBIE Award Winning “48Hours in…™Harlem”, a twist on the traditional 24-hour play festival.  Our first collaboration with Pregones was in December 2016.

The April 8th and 9th performances will be our 2nd collaboration to achieve “48Hours in…™EL BRONX”.  The source materials and theme for the 2018 rendition of “48Hours in…™EL BRONX” takes a tour through some of the most memorable dance clubs in the Boogie Down’s history. Since the Bronx is known as the borough of music, the six clubs selected for this year’s celebration include:

  • Club 845 – the Prospect Ave home of Jazz and Be Bop in the 1950’s
  • Tritons – the 1960’s premiere live Latin music club
  • Disco Fever – the famed 1970’s South Bronx Hip Hop dance club
  • The Savoy Manor – the 70’s & 80’s stage of the likes of Grandmaster Flash and the Furious Five Live
  • G.T.’s – a cherished 1990’s Bronx LGBTQ dance club
  • Mexico in the BX – a series of Mexican music and dance clubs in the Bronx

You will certainly hear of Harlem9 again and again.  It is a pretty significant part of my life! 😉

Photos from “48Hours in…™EL BRONX” December 2016 / Photos by: Garlia Cornelia

I’ll post the final members of the ensemble in another post: be sure to stay tuned for more information.

In the meantime, check out this video, to learn a little more about the event and find out how much fun (and how little sleep), the 2016 Ensemble had!

TICKETS ON SALE HERE

C-MORE @ the cell 2018 : THREE Readings left! Ends March 28th

It is upon us!  The 3rd Annual C-MORE Festival!

March 18 – 28, 2018

the cell

How am I involved in this?  

I’m one of the producers! (Blackboard Plays is the organization I founded in 2008… yup.. almost 10 year anniversary!)

Here’s some official information…

Nancy Manocherian’s the cell (Artistic Director Kira Simring) in Chelsea, New York City has partnered with Liberation Theatre Company and Blackboard Plays to produce five new play readings as a part of the cell’s annual C-MORE Festival.

We’ve got 3 readings left!

Friday, March 23rd at 7:30PM

From Out Beyond My Shame by Shawn Nabors

directed by Christopher Burris

 Sunday, March 25th at 2:30PM

Restless Native by Germaine Netzband

directed by Kim Brockington

Wednesday, March 28th at 7:30PM

Quarters, Halves, and the Whole by Nathaniel Johnson

These readings are a culmination of the work done through Liberation Theatre’s Writing Residency Program.

 Tickets for these events are free.

We began the festival with a reading of Our Father by Liz Morgan directed by Mary Hodges on Sunday, March 18th at 2:30PM.

The second reading was from Blackboard Plays. Queen Nanny by Camille Darby directed by Miranda D. Haymon on Monday, March 19th at 7:30PM.  

Check it out on Broadway World HERE

A little more about C-MORE

Since it’s inception in 2016, the C-MORE festival has provided playwrights and theatremakers of color the opportunity to present work that they are passionate about and create visibility for underrepresented narratives.  This year, the cell has granted two companies that have been making immense strides in telling these stories, funding and materials to present their work.  Past C-MORE presentations have included a workshop production of The Year of the Bicycle by Joanna Evans, In the Southern Breeze by Jireh Breon Holder, Shoppin’ for N.I.G.G.A.S by Garlia Cornelia, The Marks You Leave by Tyler Andrew Jones, Lovely Send Anywhere by Douglas J.Cohen, and Lambs to Slaughter by Khalil Kain.

the cell (Founding Artistic Director Nancy Manocherian and Artistic Director Kira Simring) is a non-for-profit organization dedicated to the incubation and presentation of new works by emerging artists.  Founded in 2006, the cell has produced over a dozen critically acclaimed world premiere productions of new plays and musicals over the past 10 years including Sam’s Room, Bastard Jones, Crackskull Row, Hard Times: An American Musical and more.  The cell also features the jazz @ the cell series and has served as a home base for a large community of resident artists and organizations such as Blackboard Reading Series, Artists Without Walls (AWOW), Irish American Writers and Artists (AWOW), Sybarite5, Tribeca New Music, and New York Theatre Barn.

ABOUT Liberation Theatre Company

(Founder and Producing Artistic Director Sandra A. Daley) is a home for creative emerging black playwrights, providing resources to develop their work, nurturing and inviting them to express themselves in a supportive and focused environment. LTC brings together actors, directors, and playwrights to allow playwrights the room to learn and grow, culminating in their finest work, ready for production.

ABOUT Blackboard Plays

(Artistic Director Garlia Cornelia, Co-Curator Oneké Cummings) is devoted to Black playwrights throughout the African Diaspora. Since 2008 Blackboard has presented readings every second Monday of the month at the cell our home in Chelsea where we have been incubated as a resident series.